4. Earth

Our bodies mimic the physical environment – our heart is the earth, our soul the soil, where spiritual seeds can be planted.

Father also contains earth. And heart.

In Genesis 1:9-13, we read that the earth was created on day three, together with the sea, seed and tree (words with which it is connected).

We have seen that the vowels emerge from the throat, where language originates, in a different order from that in the alphabet. The back vowels are u and o, the central vowel is a, and the front vowels are e and i; u and i are close vowels, o and e are mid vowels, while a is an open vowel (this is why a doctor asks you to pronounce this vowel when she wants to look down your throat, because it is the most open vowel there is). So the vowels as they proceed from the throat form an inverted pyramid, according to where in the mouth they are produced:

u                                             i

o                      e

a

Now, vowels are fluid. I have already explained that they equate to water (water forms in the mouth when you hold one for long enough). This is why a vowel can be said to flow (phonetic pair f-v, addition of e). Languages like Arabic and Hebrew don’t even write them down, they only list the consonants. This means it is fairly easy to change a vowel in a word connection, especially if they are pronounced next to each other, such as a and e.

If we maintain the digraph th, then we can see that earth in reverse gives three, the day on which it was created. It also happens to be the third planet in order of increasing distance from the sun. And, in Christian theology, it was created by the Trinity (God in three persons) – the Father (the origin of breath, from whom the Holy Spirit proceeds), the Son (Christ the Word, begotten of the Father) and the Holy Spirit (breath or wind, pneuma in Greek, the basis of all speech). So we can understand why the number three might be so important for earth.

While a seed is planted in the earth in order for it to grow, a spiritual seed has to be planted in another kind of earth – our heart. This is why the two words are connected. It is not enough for us to hear a spiritual message, we have to take the message on board, to let it into our hearts, where the seed of an idea can grow and bear fruit.

We might then remember the layer of something that surrounds the earth like a shell or a circumference: soil. We cannot place the seed on a rock or among thorns if we want it to grow. We must place it in the soil.

Again, when it is a question of a spiritual seed, there is another kind of soil where we must plant it – our soul. This is where the spiritual seed will bear fruit.

So, earth-heart, soil-soul (containing the close vowels, u and i).

Language is drawing a comparison between the physical environment and our own bodies, in which the heart takes precedence (and where the soul is perhaps a layer around it, as soil is a layer around the earth).

Jonathan Dunne

Heart of Language 4/15

Next: Heart of Language 5/15

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Kamena Vourla

In the distance

is the last

broken shard

home

The tallest

mountain of all

so faint

it almost merges

with the sky

People are not

aware

it’s coming

They swim

in the sea

drink coffee

think of supper

and things

that might have been

revisit their youth

the lessons learned

and not wanted again

You must become

a man

before you can become

a god-man

Christ in reverse

You must know

what it is to hurt

and be hurt

even when it is

undeserved

You stand in the morning

and turn

from the sun’s path

to where the sun

is pointing

That is your ascent

You are not alone

You might even find yourself

in company

like the parrots

in Porphyrios’s cage

nestling up to each other

their necks shaped

for this

Loss is hard

means sleeping with a stranger

the old shape

has gone

been stripped of its punctuation

it is no longer

surrounded by words

it is now a thought

waiting to be spoken

The old text is useless

it can only be recycled

or observed

The smell has gone

the adoration

the string of syllables

proffered

like bubbles in the ocean

The breath has returned

It is being held now

by the Alchemist himself

whose memory has no limit

who only ever ascribes

good intentions

to the languages he has learned

Language is our vehicle

our rocket to the stars

which are full stops

glowing

in the darkness

of our hearts

Sunday, 5 pm

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The Alchemist – icon of Christ in Athens Metropolitan Cathedral, dating from the late 1800s.

Aegina

We sit

on white slabs of stone

There are fewer of us

now

The seagulls

horizontal apostrophes

find this funny

or at least

they guffaw momentarily

it’s not easy

keeping punctuation afloat

airborne

and at the same time

keeping up with the boat

Loss

is a small chair

in the church

meant for a child

but the adults use them

Actually

they are quite comfortable

it’s nice

being closer to the floor

the perspective is different

The saint’s eyes

follow you

wherever you go

whatever you may

have thought you were

he knows

Hours of standing in church

that willingness to be there

to stay upright

even when the ship

lurches

That act of resolution

is all we are

is everything

The time passes

seems not to exist

I have experienced this

before

Ten minutes is

two hours

two hours

a gesture

kneeling on the floor

helping someone

unhook their chain

their cross

their anchor

A cross

is all that anchors you

to this world

I look up

The passengers are

even fewer

more whiteness

confronts my eyes

People are black words

time a blank page

waiting to be filled

Saturday, 10.15 am

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St Nectarios of Aegina

Piraeus

There is a sign

A man is running

towards some steps

that go down

An arrow

emanating from his chest

points him (you and me)

in that direction

though he is too big

for the stairs

which reach

up to his left arm

he rather looks

as if

he will collide

with the back of them

If he were to stand

on the stairs

where would they take him?

In a downward direction

Back to land

There is no suggestion

that the man

should climb up

to the blue sky

with nothing to hold

onto

The boat is silent

(apart from that hum)

it doesn’t take part

in the people’s conversations

shrieks screams

loud guffaws

or the dog’s bark

It is level with the horizon

the container ships

huts on stilts

for men who fish

on a lungful of air

more shards

the mirror here

in a better condition

almost complete

the force behind it

pushing it to meet

what will come

Friday, 4.15 pm

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Prokopi

Religion

is the combination

of time and eternity

movement and stillness

We are on board a ship

Even the chairs are slanted

(or is it the floor

that is slanted

and the chairs

that follow suit?)

We are a tray of buttons

of different colours

shapes and sizes

We lift the lid

and take them out

for a time

watch how they glint

in the early sunlight

As on a ferryboat

I am still

it is the boat that moves

but when we touch land

the roles are reversed

it is I who move

the boat is still

Religion

is the combination

of time and eternity

movement and stillness

Sometimes I am there

sometimes my mind wanders

my eye flies in the rafters

enters the folds of clothes

burns in the candlelight

like a piece of fluff

stray cotton

I grow smaller

and am glad

of the change

glad of the company

the gold mask

turned towards me

the skin charred

the teeth white

and sharp

I cling to the back of the chair

in front of me

and watch

the sea pass

Friday, 11 am

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Glyfa

The boat is like

an electrical wire

It hums

There is a wire also

on the horizon

a fuzzy white line

that marks the place

where sea meets land

or nothingness

Those broken shards again

some so old

they’ve almost become sky

What is comforting

in this passage

between two points?

The hum

with its regular crescendo

(the boat’s heartbeat)

knowing you are in the hands

of something bigger

which will still be here

tomorrow

plying the same route

the movement

and stillness

all in one

the dots of light

that reflect off the surface

like static

the cast-iron shadows

so well defined

the shadow of the thing

is clearer

easier to see

than reality

but I wouldn’t try

to hold on

The being on the way

in between brackets

that place in language

away from grand statements

where life is best lived

Thursday, 2 pm

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Kulata

The hills next to Kulata

are a broken mirror

each peak a shard

that has fallen

to the ground

lost its place

abdicated responsibility

The windmills are

little hairs

stuck under the glass

How they got there

how they lodged so fast

no one knows

The mirror itself

is the sun

an actress waiting

to go on stage

Her glow precedes her

Her cheeks flush

The light from

her dressing room

streaming through

the open door

warns of her imminent coming

You have barely

settled in your seat

and she is there

You realize you never actually

saw her

enter the stage

You saw she was coming

and then she was there

Someone spilt their coffee

abdicated responsibility

Suddenly they were not there

The coffee spread

like molten lava

reflecting

the new sunlight

and the cleaning lady

whose day had just begun

was left to mop up

the molten copper

precious sunlight

carelessly spilt

to give her work

This is what happens

when a drop of wonder

falls into our world

Thursday, 7 am

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3. Human

The elements of speech – breath, water and flesh – are the same elements that are present in the act of creation in the Book of Genesis. The world was spoken into being, which means that we, and the world around us, are a form of language.

Language is made up of three elements: breath, water and flesh.

The first element is breath. Breath forms the basis of all speech. Without breath, you are dead. Breath is represented by the letter h, a letter that is dropped in colloquial speech and silent in some languages, but for me the most important letter in the alphabet:

h   (breath)

The second element is water. This is when we add voice to our breath and form the vowels. Hold a vowel sound for long enough, and water will collect in your mouth. The vowels are listed in the alphabet in the following order: a-e-i-o-u. But this is misleading because the vowel sounds are formed, from the back of the mouth (where language originates), in a different order:

u-o-a-e-i   (water)

Since breath on its own doesn’t make a word (it only expresses exasperation), the first word that the human apparatus is capable of producing is the combination of breath, h, and the first vowel sound to emerge from the throat, u: hu. You might think this is unremarkable, but, as we have seen, hu is Sanskrit for “invoke the gods” and the root of our word God.

So the first utterance we can make by our very nature is to call on God, just as when we move away from the ego and produce the symbols A + O, we say another name of God, Alpha and Omega. While the science of etymology stipulates that human derives from the Latin word for “man”, homo, I would suggest that really it is a combination of hu and man. We are spiritual beings.

The third element of language is flesh. We obstruct the passage of breath with our lips or tongue (our flesh) and produce the consonants, which can be voiced or voiceless. The consonants are divided into phonetic pairs according to where they are produced in the mouth. There are seven simple pairs:

b-p   d-t   f-v   g-k   l-r   m-n   s-z   (flesh)

We see all these elements – breath, water and flesh – in chapters 1 and 2 of the Book of Genesis. Take, for example, Genesis 1:1-2:

In the beginning when God created the heavens and the earth, the earth was a formless void and darkness covered the face of the deep, while a wind from God swept over the face of the waters.

I would suggest that this passage in Genesis is really a description of speech. Or the creation of man in Genesis 2:6-7:

But a stream would rise from the earth, and water the whole face of the ground – then the Lord God formed man from the dust of the ground, and breathed into his nostrils the breath of life; and the man became a living being.

Again, all three elements of language are present, which would suggest that the world was literally spoken into being. This would explain the proximity between space and speak (the letter c, a redundant letter in English, can be pronounced k or s), and also the presence in world of word and lord (the reiterative verse “And God said”).

What is also remarkable is the word these three elements have in common: father. We have seen the phonetic pair f-v, but v is also connected to b and w (think of languages such as modern Greek, Spanish, Latin and German), so through the intermediary of v, I can make the connection f-b/w.

In this way, we see that breath and father have the same letters, water is in father with the addition of h, and flesh is in father with the addition of a (phonetic pair l-r, step in the alphabet s-t).

Father contains speech.

Jonathan Dunne

Heart of Language 3/15

Next: Heart of Language 4/15

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Boyana Village – Boyana Waterfall – Boyana Lake – Boyana Village

Starting Coordinates: 42.64278, 23.26402

Distance: 6.9 km

Elevation Gain: 490 m

Time: 3¼ hours

Difficulty: moderate-hard

Transport: by car, or by bus no. 64 and 107 to Boyana Village


The start of this walk is very near the famous Boyana Church, one of the principal tourist attractions in Sofia, a World Heritage Site with medieval frescoes dating from 1259. The church is open every day during normal working hours and, although you only get about ten minutes inside (due to conservation measures), it is well worth a visit.

Both the 64 and the 107 buses stop near the church. For the 64 bus, which continues to the next village east, Dragalevtsi, you want to get off at the stop “Boyansko Hanche”, a restaurant on Sborishte Square. The 107 bus will take you all the way to the church, since this is its last stop. By car, you approach Boyana on Bulgaria Boulevard (from where you can see the waterfall on the side of the mountain), go under the ring road and, 200 metres after entering the village, you come to a roundabout. Go left here and, at the traffic lights, turn left. After 400 metres, you will cross Boyana River (which, higher up, forms the waterfall) and, in another 200 metres, Boyana Church will be signposted on the right. Park somewhere near the square.

To reach the church, you go past All Seasons Residence Hotel and continue uphill. The church is about five minutes away and can be visited before or after the walk. To reach the start of the walk, with the entrance to Boyana Church in front of you, go right and continue further uphill. At the top, turn left and, in a couple of minutes, you will reach some stone steps and the entrance to Vitosha Nature Park.

The walk consists of three parts – a stiff climb to the waterfall (1¼ hr, 2.9 km); a gradual descent to the lake (50 mins, 2.3 km); and a return to the starting point (30 mins, 1.7 km). These three parts have red, green and blue markers respectively. As you enter the park (“protected territory since 1934”), you will see a military installation on your right. Follow the red markers. The path takes you uphill and then behind the military installation. You will soon see the river on your right. You will now follow the course of the river all the way to the waterfall. After 1 km, a bridge crosses a tributary from the left. In another 350 metres, a path goes down to the river on the right, but keep left (uphill). The path starts to zigzag and, when you double back on yourself and are facing north, quite often there are pretty views of Sofia through the trees. As you approach the waterfall, the river starts to tumble. There are one or two mini-waterfalls before the waterfall itself. The path here has a metal railing, and at certain points you need to be careful with your footing. There is a rising sense of anticipation as you near the waterfall. It soon appears and is a sight to behold, especially if you go in early spring (during or after the snow melt).

The waterfall reminds me of the Communion of the Apostles in Orthodox churches. It is remarkable how a bubbling stream has now become a burning star pouring forth rays of light. There’s a certain amount of tomfoolery, people taking their shirts off and standing beneath the spray or taking selfies.

After you have taken your fill, you can of course return down the mountain, but I recommend you continue to Boyana Lake. It doesn’t take much longer, and the lake is pretty. Take the path that climbs next to the waterfall, but instead of continuing uphill (south), take the path that immediately forks left (east), which is signposted for Boyana Lake and has green markers. This path meanders around rather than up the mountain. After 350 metres, a path joins from the right. Keep going east. The path begins to descend. In another 300 metres, you will reach a T-junction. Go left here, signposted for Boyana Lake and Dragalevtsi. You will soon cross another tributary of Boyana River. After 1 km, a path joins from the right. Keep going in the same direction (which is now more or less northwards). Several paths diverge to the left. Ignore them. Keep right, and you will soon come to a ruined building, behind which is the lake.

Continue to the north side of the lake, where there are some rocks and people have barbecues. A separate walk approaches the lake from Dragalevtsi Monastery further east. It is normally full of croaking frogs, who like to make their presence felt, but I wouldn’t recommend letting any animals with you drink the water, it’s a little stagnant. Once you’ve had your fill, leave the lake and head north/north-west. A path with blue markers descends the mountain, with the lake behind you/to your left. Follow this path, and in half an hour you will be back where you started!

This walk is an excellent introduction to Vitosha Mountain. It also enables you to visit one of the most famous sites in Bulgaria, Boyana Church. Also in Boyana is the National Historical Museum, which has some impressive exhibits. It is also possible to visit Boyana Waterfall from Kopitoto further up the mountain – in this case, you descend rather than climb to the waterfall, and this is what I did for many years, but I have to say I find the climb from Boyana Village very rewarding. The fact you’re by the river all the way – it’s like she’s taken you by the hand and led you there herself.